Transparent acrylic glazes were used to push heat into the lower half of the composition.
Bloom, spoil, and ignition sharing the same surface.
There is a still-life logic underneath this composition, but it never fully stabilizes. The forms feel organic until the hard-edged fragments interrupt them and pull the eye sideways.
It is meant to sit somewhere between ripeness and combustion, where the surface feels as if it might still be changing.
